Chiel Construction successfully delivered the refurbishment of the Lady Barber Gallery within the Grade I listed Barber Institute of Fine Arts at the University of Birmingham, transforming key gallery spaces and upgrading critical building services within a highly sensitive heritage environment.

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Working under a JCT Intermediate Building Contract with Contractor’s Design, procured via competitive tender, our team undertook a comprehensive and tightly programmed scheme of works over a 15-week period. The project included extensive strip-out and demolition of existing structures, followed by structural alterations such as the installation of new steels and the formation of two plant rooms. High-quality internal finishes were delivered, including fire-rated and acoustic partitions, specialist oak flooring within a controlled environment, new doors and joinery, and full decoration works.

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Significant mechanical and electrical upgrades were also carried out, including the installation of air handling units, close control systems, humidification, heating and chilled water distribution, ductwork, building management systems, and associated electrical infrastructure such as lighting, small power, sub-mains, and data installations. The works also required complex builder’s work in connection with services, including core drilling, roof penetrations, and weatherproofing, alongside detailed coordination with existing systems.

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As Principal Contractor, Chiel Construction managed the project within the constraints of a Grade I listed building, requiring close collaboration with conservation stakeholders to develop and approve methodologies for each phase of works. The scheme demanded careful logistical planning due to restricted access, material size limitations, and the need to operate within a live, high-security university environment housing valuable artwork. Dust, vibration, and environmental conditions were closely controlled, with negative air pressure systems, thermal monitoring, and strict operational procedures implemented throughout.

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The programme was delivered with no flexibility due to a pre-scheduled art exhibition, requiring precise coordination, daily stakeholder engagement, and careful management of works around university operations. Despite these challenges, the project was successfully completed on time, providing a refined gallery space supported by modernised building services, enhancing both the functionality and preservation of this nationally significant cultural asset.